
Punchdrunk Tranforms Hotel in West Chelsea into “Sleep No More” Interactive Performance
On a rainy Tuesday night this week, I was in New York City searching frantically for 530 West 27th Street, the site of "Sleep No More"—a Macbeth-inspired, Hitchcock-infused performance piece. "Sleep No More" is a large-scale, exploratory performance installati…
On a rainy Tuesday night this week, I was in New York City searching frantically for 530 West 27th Street, the site of “Sleep No More”—a Macbeth-inspired, Hitchcock-infused performance piece. “Sleep No More” is a large-scale, exploratory performance installation set inside an old hotel.
“Sleep No More” captivates audiences in the McKittrick Hotel in West Chelsea, which has been revived and transformed into a conceptual dreamspace that melds the world of Shakespeare’s Scottish play with the decadence of 1930s film noir.
Next, a distinguished British man swept about a group of us audience members into a darkened hallway. There, a lady in a gorgeous sequined gown gave us white Venetian masks to wear for through out the show. The British man explained that the piece was best experienced alone, and even threw one patron out alone on a floor, to the dismay of his date! We should explore, have no fear. With that, we were taken up in an elevator and sent into the dream of “Sleep No More.”
The detail was impeccable. A room that was supposed to be a candy shop had shelves stocked with various amounts of candy, and I helped myself to some gummy balls, which I proceeded to eat immediately, the room smelled so sweet. There was a room that was supposed to be an outdoor trail…with dirt and trees…it smelled like I really was in a forest. A room with dried botanic’s…it smelled like flowers.
Towards the end of our time with the piece, the characters united in a hall. Standing there with countless other masked audience members seemed to the only moment we were all together, looking up at the actors seated at a grand banquet table They moved through a dramatic slow-motion sequence, this was one of my favorite scenes. As a blood-covered figure was hoisted into the air, about to be and then hanged. My companion and I were then whisked away and back to the red lit bar…we sat and enjoyed a sangria punch, and listened to Etta James’ “At Last.”
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